Cleveland in HDR – The 6th City Collection

“Fountain of Waters” by Chester Beach in the Cleveland Museum of Art Fine Arts Garden

From the Cleveland museum of Art website : ” I know of no other example of landscape art as beautiful as this where such a large part of the population pass daily and enjoy it.” Frederick Law Olmsted Jr., of the Olmsted Brothers landscape architecture firm, is of course referring to the Fine Arts Garden. The garden fills the approach to the Cleveland Museum of Art from Euclid Avenue, and is bordered on the east and west by East Boulevard and Martin Luther King Boulevard, respectively. The Fine Arts Garden was formally presented to the city of Cleveland by the Garden Club at a dedication ceremony on July 23, 1928.

The Cleveland Museum of Art was built on land donated by industrialist Jeptha Homer Wade II. This land is located in Wade Park, which was donated to the city in the nineteenth century by Wade’s grandfather, Jeptha Homer Wade I. Prior to the construction of the museum, Wade Park was a popular recreation area that included a lake for boating and skating, walking paths, and picnic areas.

Construction of the museum decimated the landscape surrounding the building. For several years after the museum opened in 1916 the park was minimally maintained by the city. The unsightly bit of land between the museum and Euclid Avenue was the subject of much criticism during this time. In 1923 the Garden Club of Cleveland, whose library was housed at the art museum, appointed a committee to study the problem of beautifying the area.

Through various fund raisers garden club members were able to hire the firm of landscape architect Frederick Law Olmsted, the designer of Central Park in New York City, to design the Fine Arts Garden. These images represent the firm’s vision for the Fine Arts Garden.

In addition, members of the club, the art museum, and community at large donated funds to commission artist Chester Beach to sculpt the “Fountain of Waters” and signs of the zodiac statues. Funds also were donated for the purchase of marble benches, terraces, and other pieces of statuary for the garden. All of the funds to establish the garden, over $400,000, came from private donations. Maintenance of the garden is funded through an endowment established by Mrs. John Sherwin, president of the Garden Club at the time the garden was planned.

The Museum Archives houses records related to the planning and construction of the Fine Arts Garden including records of the Fine Arts Garden Commission, records from the Olmsted Brothers firm, planting plans and blueprints, and photographs. For more information, see the Records of Fine Arts Garden finding aid.”

For more info: www.clevelandart.org/collection-focus-article/fine-arts-garden

Today’s Quote: The best thing about the future is that it comes only one day at a time.” – Abraham Lincoln

Today’s photo is of St. Theodosius Russian Orthodox Cathedral in Cleveland, Oh. St. Theodosius is located on Starkweather Ave in the citys historic Tremont area. Tremont is one of the most accessible neighborhoods in the city of Cleveland. It is considered one of the finest examples of Russian church architecture in the U.S and it is listed on the National Register of Historic Places.

For more info on this fabulous church please visit: http://sttheodosius.org/home_1.html

Today’s Quote: “All men are by nature equal, made all of the same earth by one Workman; and however we deceive ourselves, as dear unto God is the poor peasant as the mighty prince”.-
Plato

Todays photo is of the Cleveland Museum of Contemporary Art (MOCA). This beautiful new building is within walking distance of both Little Italy and Wade Oval. Here is some information directly from MOCA’s website about the new building:

“MOCA’s new building is designed to serve as a catalyst for creativity and growth in a cosmopolitan Cleveland neighborhood, which is home to one of the country’s largest concentrations of cultural, educational and medical institutions.

The nearly 34,000-square-foot structure, which is 44 percent larger than MOCA’s former rented space, demonstrates that a museum expansion need not be large in scale to be ambitious in all respects. Devised for both environmental and fiscal sustainability, the design is at once technically inventive, visually stunning and highly practical.

The dynamic structure was designed by Iranian-born Farshid Moussavi of London, formerly with Foreign Office Architects (FOA) and now principal of Farshid Moussavi Architecture (FMA). This is her first U.S. commission and her first museum.

In addition to FMA, the design team includes executive architects Westlake Reed Leskosky, headquartered in Cleveland and designers of more than 50 cultural buildings throughout the United States.

Moussavi says that museums today are not just homes for art, but serve multiple functions and host a variety of activities. “Our design for MOCA Cleveland aims to provide an ideal environment for artists and visitors and to foster creativity and variety in exhibitions and programs.”

Because MOCA is a non-collecting institution – one of the relatively few such contemporary art museums in the country – its new building does not need to accommodate collection galleries, says MOCA Executive Director Jill Snyder. “This building’s design is a perfect expression of the museum’s philosophy and programs. Flexibility is key to a program like ours that embraces aesthetic, conceptual and cultural diversity, and displays works in a great variety of media and genres.”

The four-story building, which anchors the Uptown district, rises 60 feet from a hexagonal base to a square top, where the primary exhibition space is located. All four floors contain areas for either exhibitions or public programs.

Clad primarily in mirror-finish black Rimex stainless steel, the façade will reflect its urban surroundings, changing in appearance with differences in light and weather. Three of the building’s six facets, one of them clad in transparent glass, will flank a public plaza designed by James Corner Field Operations, a New York-based landscape architecture and urban design firm. The plaza will serve as a public gathering place and will link MOCA to Uptown attractions and amenities, including the expanded Cleveland Institute of Art, designed by Burt, Hill with MVRDV, and new commercial space and residential units, designed by Stanley Saitowitz/Natoma Architects Inc.

Upon entering the building, visitors find themselves in an atrium where they can see the dynamic shape and structure of the building as it rises. This space leads to MOCA’s lobby, café and shop, and to a double-height multi-purpose room for public programs and events. From there, visitors may take MOCA’s monumental staircase, a dominant architectural feature of the building, to the upper floors. On the top floor the 6,000-square-foot gallery space has no fixed dividing walls, allowing for a variety of configurations. This floor also contains a gallery designed for new media work and the Dick and Doreen Cahoon Lounge, which overlooks the plaza and Uptown.”

For more information about this great museum click here:

http://www.mocacleveland.org/

Today’s Quote: “Not everybody trusts paintings but people believe photographs”. – Ansel Adams

This photo of downtown Cleveland was taken from the Columbus Rd. Bridge. From Wikipedia: “Cleveland obtained its name on July 22, 1796 when surveyors of the Connecticut Land Company laid out Connecticut’s Western Reserve into townships and a capital city they named “Cleaveland” after their leader, General Moses Cleaveland. Cleaveland oversaw the plan for what would become the modern downtown area, centered on Public Square, before returning home, never again to visit Ohio. The first settler in Cleaveland was Lorenzo Carter, who built a cabin on the banks of the Cuyahoga River. The Village of Cleaveland was incorporated on December 23, 1814.  In spite of the nearby swampy lowlands and harsh winters, its waterfront location proved to be an advantage. The area began rapid growth after the 1832 completion of the Ohio and Erie Canal. This key link between the Ohio River and the Great Lakes connected the city to the Atlantic Ocean via the Erie Canal and later via the St. Lawrence Seaway; and the Gulf of Mexico via the Mississippi River. Growth continued with added railroad link. Cleveland incorporated as a city in 1836”.

Today’s Quote: “Faith consists in believing when it is beyond the power of reason to believe”. –  Voltaire

The Cleveland Cultural Gardens are a collection of public gardens located in Rockefeller Park in Cleveland, Ohio. The gardens are situated along Martin Luther King Jr. Drive within the 276 acre of wooded parkland on the city’s East Side. In total, there are 31 distinct gardens, each commemorating a different ethnic group whose immigrants have contributed to the heritage of the United States over the centuries, as well as Cleveland.

For more info:

http://en.wikipedia.org/wiki/Cleveland_Cultural_Gardens

http://www.culturalgardens.org/

From Wikipedia: “The lower Cuyahoga River has been subjected to numerous changes. Originally, the Cuyahoga River met Lake Erie approximately 4,000 feet (1.2 km) west of its current mouth, forming a shallow marsh. The current mouth is man-made, and it lies just west of present-day downtown Cleveland, which allows shipping traffic to flow freely between the river and the lake. Additionally, the U.S. Army Corps of Engineers periodically dredges the navigation channel of the otherwise shallow river to a depth of 27 feet (8.2 m), along the river’s lower 5 miles (8.0 km), from its mouth up to the Mittal Steel Cleveland Works steel mills, to accommodate Great Lakes freighter traffic which serves the bulk (asphalt, gravel, petroleum, salt, steel, and other) industries located along the lower Cuyahoga River banks in Cleveland’s Flats district. The Corps of Engineers has also straightened river banksand widened turning basins in the Federal Navigation Channel on the lower Cuyahoga River to facilitate maritime operations”.

The Henn Mansion is one of those treasures that more Clevelanders need to know about. It is vaguely Tudor Revival in style with Bungalow/Craftsman overtones. It is a beautiful home and thanks to some wonderful volunteers it is still around to be enjoyed today. You can even rent it out for special occasions.

From the Henn Mansion Website:

Albert W. Henn was born at New Britain, Connecticut, January 26, 1865. His parents were Francis A. and Barbara Wilhelmy Henn. His father was born at Baden, Baden, Germany, April 1, 1825, came to America a political refugee in 1859. He was a gunsmith by trade and after coming to New Britain found employment in some of the big
hardware manufacturing houses, notably the firm of Russell & Erwin and Landers, Frary & Clark.

Albert W. Henn went to school until he was thirteen years of age completing the eighth grade. The boy went into the factory of Landers, Frary & Clark, covering a period of four years. At the age of nineteen he came to Cleveland and here secured a position as entry clerk with the wholesale dry goods house of Root & McBride, where he remained for thirteen years. During this period he had, apparently, little use for the mechanical knowledge he had secured in his boyhood, but when the opportunity came he found himself thoroughly interested and quite able to apply it.

Mr. Henn was married in Cleveland, April 17, 1889, to Miss Gertrude Jeannette Bruce, and they had six children, their first two sons, Jesse and William died in infancy
leaving three sons and one daughter surviving. Edwin C., a graduate of Cornell University; Howard R. a graduate of Yale University, Jeannette, a graduate of Vassar College; and Robert B a graduate of Cornell University.

Mr. Henn and his brother E. C. Henn patented the Multiple Spindle Lathe, (EC’s invention) which revolutionized the machine tool industry. Then they organized the Acme Machine Screw Company, with E. C. Henn as president and Albert W. Henn as secretary and treasurer. In 1902 they merged their enterprise with the National Manufacturing Company of Cleveland and changed their caption to the National-Acme Manufacturing Company.

Mr. Henn became Secretary of the concern at that time (1908), became treasurer, and was elected president in 1918. He was also treasurer and a director of the Maynard H. Murch Company, investments; president of the Goodhold Farm Company, vice president of the Ohio Muck Farm Company, and a director in the Lincoln Electric Company and the Winton Hotel Company.

For more photos inside the Henn Mansion:

http://www.hennmansion.org/

Today’s Quote: “Believe in yourself! Have faith in your abilities! Without a humble but reasonable confidence in your own powers you cannot be successful or happy”. – Norman Vincent Peale

Today’s Photo: The Pink Flamingo

From the Cleveland Metroparks Zoo website:

What’s remarkable about a flamingo? Plenty. These birds are pink, have exceptionally long necks and the longest legs, in proportion to body size, of all birds. The beak is uniquely shaped and adapted for pumping and filtering water while feeding on crustaceans and algae in marshes and lagoons. Both in water and on land, flamingos are able to lock their long legs into position for resting and sleeping on one leg.

For info on how you can see more of these amazing birds:

http://www.clemetzoo.com/tour/exhibit.asp?exhibit_id=25

Today’s Quote: Birds sing after a storm; why shouldn’t people feel as free to delight in whatever remains to them? –  Rose Kennedy

2012 marks the 100^th birthday of the Cuyahoga County Court House on Lakeside Avenue. The courthouse was designed by Charles Morris along with Lehman and Schmitt and is one of the finest examples of the Beaux-Arts style in the city.

For more info: http://ech.case.edu/ech-cgi/article.pl?id=LAS1

“All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space”. – Philip Johnson

The Free Stamp by Danish artists Claes Oldenburg and Coosje Van Bruggen

From about.com:

“The 50-foot tall aluminum and steel replica of a hand stamp sits downtown at Willard Park on Lakeside Avenue, next to City Hall. The artwork was originally commissioned in 1982 by the Standard Oil Company to sit in front of their soon-to-be-constructed headquarters building on Public Square (now the BP Building). The piece was originally to sit with the “Free” stamp facing downward, hidden from view. However, before the piece could be installed, Standard Oil was acquired by the British Petroleum Company (BP) who did not favor the piece. “Free Stamp” sat in storage in Indiana for years before BP donated it to the city of Cleveland.”

More info: http://cleveland.about.com/b/2008/05/31/free-stamp-in-cleveland.htm

Today’s Quote: A work of art is the unique result of a unique temperament. –Oscar Wilde